I had high hopes for the applicability of data mining to my current/future project and my long-term research on the Sacred Heart. I’ll largely discuss my research on the Sacred Heart because I’m familiar with the material, having worked with it/on it for the past decade. I thought it would be useful to have a “safety” to see how well… Read more →
Category: Digital Art History
Day 5: Geospatial Art History & the Art of Mapping Hipsterdom
Digital Art History bootcamp ended on a high note (for me) as we delved into mapping and visualizing change over time. Before the institute started, I possessed little knowledge of mapping but knew it would be useful for my project. For example, I want to be able to show the areas affected by epidemics in sixteenth-century Mexico alongside those locations… Read more →
Day 4: Drinking from the Firehose?
Confession: There was a moment on 7/11/14 when I felt like I was drinking from the firehose. While the embedded video below doesn’t entirely capture the feeling, it does allow me to showcase my newfound digital abilities: I left today’s institute meeting feeling like a giddy child, one who has boxes of chocolates and sugary candies and who doesn’t even know… Read more →
Day 3: Omeka and Scalar and Drupal, Oh My!
Today we chose one of three CMS platforms with which to play, adapting to the new environments and it quirks. I chose Scalar because I wanted to have multimedia content on my site, and it seemed this CMS was the best option. While it took me longer to adjust to the platform than I expected, once I “figured out” how… Read more →
Day 2 (LKE): Scraping, Sorting, and Scrutinizing Sources
After I wrote the book-length entry yesterday, I didn’t have much time to reflect on digital art history. What is it? Are their digital art histories? Is it a method, a community? Tools? As became clear yesterday, there is no one definition–at least not yet. Some of yesterday’s most fruitful conversation centered around the thresholds concepts of art history. These… Read more →
Day 1: My Project and Reflections on Digital Art History
Note: There is a short version and a long version I am beginning a second “book” project that focuses on Mexican visual culture of death and dying from c. 1521–c. 1920, from the arrival of Spaniards into the city of Tenochtitlan (now Mexico City) in 1519 to the end of the Mexican Revolution in 1920 and its immediate aftermath.. Some of the most popular and… Read more →