Tag: digital art history

Assessing the Usefulness and Validity of Online Sources, or Developing Information Literacy

A couple of years ago I published an article in the Journal of Interactive Technology and Pedagogy called “Doing Digital Art History in a Pre-Columbian Art Survey Class: Creating an Omeka Exhibition Around the Mixtec Codex Zouche-Nuttall (2018). As part of this essay I shared examples of assignments I use in a Pre-Columbian art class, which are part of a… Read more →

How do we create a field of Public Art History?

After my last post on Public Art History (PAH), I’ve continued to think about what a field of PAH might look like. With the continuing decline in academic positions, especially in the humanities, could a field of Public Art History help to develop more career options outside of academia? With a field of Public Art History, could we shift the… Read more →

Using Google Sites in a Renaissance Art History Class

This past semester (Spring 2017), I decided to experiment with Google Sites in my Renaissance art history class. Originally I planned to have students create an Omeka exhibition, as I’ve done in the past, but in the spirit of adventure I decided to mix it up. I wanted to experiment with the new Google Sites myself, and I decided to once… Read more →

Creating a new Digital Art History (#DAH) Class

Working with a wonderful colleague this past year, I helped get a digital humanities (#dh) minor approved at Pepperdine. She did the lion’s share of the work, but I was excited by the prospect of creating the new minor to provide students with a foundation in #dh. Plus, it seemed an exciting way to encourage myself to think more about… Read more →

Incorporating Digital Art History into the Curriculum

As the beginning of the semester rapidly approaches (and the summer sadly ends), I find myself trying to incorporate new digital tools into my three courses. After the GMU/Getty institute in Digital Art History ended, I began changing my syllabi to include more digital tools and projects. I have to remind myself not to overload students with all the wonderful… Read more →

Day 8: Dirty Laundry and the Potential for Public Art History

Is public art history possible? What does it look like? How can we convey the political nature of art better to people (anyone)? How do we overcome certain perceptions people have about art history? How do we translate our personal interests and disciplinary ideas and trends for a broader audience? Do we need to do this at all? These were… Read more →

Day 6: Mining Data

I had high hopes for the applicability of data mining to my current/future project and my long-term research on the Sacred Heart. I’ll largely discuss my research on the Sacred Heart because I’m familiar with the material, having worked with it/on it for the past decade. I thought it would be useful to have a “safety” to see how well… Read more →

Day 5: Geospatial Art History & the Art of Mapping Hipsterdom

Digital Art History bootcamp ended on a high note (for me) as we delved into mapping and visualizing change over time. Before the institute started, I possessed little knowledge of mapping but knew it would be useful for my project. For example, I want to be able to show the areas affected by epidemics in sixteenth-century Mexico alongside those locations… Read more →

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